MICHAEL GEORG MAAS
ARTIST/TEACHER
Born: 1949, Long Island, New York
Education:
1969, Associate of Applied Science – Delhi Agricultural and Technical College
Delhi, New York
Laboratory Animal Science & Veterinary Care
1972, Bachelor of Science – Cornell University
Ithaca, New York
Concentration in drawing, art history, design and public service
1978, Professional Certificate, Fine Arts Painting – National Academy of Design
School of Fine Arts
New York, New York
Merit Scholarship for drawing – studied with Joseph Hirsch
1983, Master of Fine Arts (With Distinction) – Pratt Institute
Brooklyn, New York
Studied drawing and sculpture with Calvin Albert
1984, Art Teacher certification courses – Dowling College
Additional Education:
1973, 1976 Art Students League
New York, New York
Studied drawing and anatomy with Robert Beverly Hale
1979, New School for Social Research
New York, New York
Studied film animation
2000, 2004, 2006 Printmaking Workshops with Dan Welden
2003 – 2005, assorted Graduate and In-service courses with Mark Kuebler,
Dellecave Institute
Ronkonkoma,New York
2004, Sculpture Workshop with John DiNaro
Awards:
2004, Second Prize, Printmaking – South Bay Art Association, 47th Members
Exhibit, Bellport, New York
2004, Honorable Mention, Mixed Media – Brookhaven Arts and Humanities
Council Annual Juried Competition, Farmingville, New York
2004, Second Place and Third Place, Graphics – North Shore Art Guild 12th
Annual Open Juried Exhibition, Farmingville, New York
Awards (continued)
2006, Second Prize and Third Prize, Mixed Media and Printmaking – South
Bay Art Association, 50th Members Exhibit, Bellport New York
2006, Honorable Mention, Painting – Phoenix Gallery Juried Art Show
(Malcolm Morley, Juror), Bellport, New York
2007, First Prize and First Prize, Mixed Media and Painting – South Bay
Art Association Annual Members Exhibit, Bellport, New York
Statement:
It is both an opportunity and a burden to have been born and raised on Long
Island. It is where the bountiful natural beauty potentially collides with the highly charged experimental and expressionistic forces of the New York City art scene. While one might be raised in awe of the sort of material nature can provide as subject matter for painting in the traditional sense, one can feel equally drawn away to the excitement of an urban sensibility. Before which, if not both, of these forces does one place one’s loyalty? I choose the risky business of trying to incorporate the two. Moreover, my own largely Germanic predisposition to expressionism lends itself to a vision that I hope extends beyond regionalism.
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